Agenda
09.11.24
Foudre! release party + Félon
Musique
10€ presale
12€ doorsale
20:30 > 1:00
Rue de Manchester 13-15, 1080 Molenbeek
FOUDRE!
"Voltæ (Chthulucene)” is the sixth opus by FOUDRE!, a trio featuring Frédéric D. Oberland (Oiseaux-Tempête), Romain Barbot (Saåad), and Paul Régimbeau (Mondkopf). As the first work recorded in studio, "Voltæ (Chthulucene) ” is the virtuosic result of a recording session orchestrated by Camille Jamain, sound engineer and electro-acoustician. The album emerges as a powerful electronic masterpiece, consisting of 8 tracks whose narrative dimension evokes the score of a sci-fi movie, transporting us through the labyrinths of a neo-Lovecraftian vision, into a post-AKIRA world where human and non-human life could (re)become possible, where all forms of (sur)living beings could cohabit once again...
Since their purely exhilarating experience at the Visions Festival in 2019, FOUDRE! has undergone a delightful metamorphosis. The creative forces of the three-headed monster get unleashed. The musicians seek less the
mental than the physical, embracing a frantic, corporeal, and direct turn. With "Voltæ (Chthulucene) ” , the trio, identified as drone ambient, takes a twist resolutely post-techno. Emancipatory alloy of English rave, punk urgency, and electronica, with strange and electrifying echoes of ancient trad sounds. Hybrid and telepathic orchestra, composed of analog synthesizers and modular systems organically connected to acoustic instruments (baglama, winds, percussion, vocals), forming a kind of neural network twinkling at the heart of the night.
Between contemplation, lightning flashes and illumination : the pulse, the rhythm. Hallucinated time fraction, progressing through a 3D landscape, stroboscopic and technicolor effects. A tale of struggles and resistances on universal and microscopic scale, images of cybernetic fauna and flora, a psychedelic futuristic delirium where hybrid characters.
https://foudrenoise.bandcamp.com/album/volt-chthulucene
FÉLON
Sound manipulator and harpist since childhood, Léa Roger is a familiar figure in Brussels' musical scenes, with projects like Guili Guili Goulag, Osilasi, and Félon.
For her, music is an invitation to explore the unknown, finding more interest in being carried by a sound than in trying to grasp it.
Her curiosity for the subtle and unpredictable aspects of sound has led her to explore the living within the sonic realm (improvisation, psychoacoustics, bioacoustics, principles of resonance, feedback, electromagnetic and vibratory fields), aiming to create sensitive physical experiences. She is also part of the electro-acoustic collective Fenêtre Ovale and works on radio creations and field recordings across various landscapes (mainly in Belgium and Bolivia, for projects at the intersection of Art and Bioacoustics). Additionally, she composes for dance, theatre, and radio, and leads workshops (field recording, deep listening, electro-acoustics, somatic practices) in diverse settings.
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